Meike 12mm f/2 vs Samyang 12mm T2.2 Cine NCS CS
Both are Micro Four Thirds prime lenses for APS-C. Here is what actually differs.
Pick the Meike 12mm f/2 if
- You need ⅓ stop more light for low light or background blur (f/2 vs f/2.2)
Pick the Samyang 12mm T2.2 Cine NCS CS if
Our spec data shows no clear advantage for this lens.
Spec differences
6 differences| Meike 12mm f/2 | Samyang 12mm T2.2 Cine NCS CS | |
|---|---|---|
| Brand |
Meike
|
Samyang
|
| Max aperture |
f/2
⅓ stop faster
|
f/2.2
|
| Length |
not listed
|
57.9 mm
|
| Diameter |
not listed
|
73.6 mm
|
| Filter thread |
62 mm
|
67 mm
|
| Optical design |
12 elements / 9 groups
|
12 elements / 10 groups
|
7 identical specs hidden: mount, type, format, focal length, min focus distance, autofocus motor, image stabilization. Show all
- Mount
- Micro Four Thirds both
- Type
- Prime both
- Format
- APS-C both
- Focal length
- 12mm both
- Min focus distance
- 0.2 m both
- Autofocus motor
- Manual focus both
- Image stabilization
- No both
Our notes
Meike 12mm f/2
A 12mm f/2 fast wide-angle prime lens, the Meike 12mm f/2 is designed for Micro Four Thirds mount bodies. The wide view suits landscapes, architecture and environmental shots.
Our notes
Samyang 12mm T2.2 Cine NCS CS
More comparisons
Meike 12mm f/2 vs Rokinon 12mm f/2.0 NCS CS
Rokinon 12mm f/2.0 NCS CS vs Samyang 12mm T2.2 Cine NCS CS
Rokinon 12mm f/2.0 NCS CS: ⅓ stop faster
Meike 12mm f/2 vs Samyang 12mm f/2.0 NCS CS
Meike 12mm f/2 vs Brightin Star 12mm f/2 III
Brightin Star 12mm f/2 III vs Samyang 12mm T2.2 Cine NCS CS
Brightin Star 12mm f/2 III: ⅓ stop faster