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Sigma 50-100mm f/1.8 DC HSM Art vs 50-150mm f/2.8 APO EX DC OS HSM

Both are Nikon F lenses for APS-C. Here is what actually differs.

Pick the 50-100mm f/1.8 DC HSM Art if

  • You need 1⅓ stops more light for low light or background blur (f/1.8 vs f/2.8)
  • Our notes say it suits: Portraits on APS-C, events and stage, sports in low light

Pick the 50-150mm f/2.8 APO EX DC OS HSM if

  • You need more reach: 150mm vs 100mm at the long end
  • You shoot handheld in dim light or video: it has optical image stabilization and the 50-100mm f/1.8 DC HSM Art does not
  • You shoot close-ups: it focuses down to 0.8 m vs 0.95 m

Spec differences

10 differences
Specifications that differ between the Sigma 50-100mm f/1.8 DC HSM Art and the Sigma 50-150mm f/2.8 APO EX DC OS HSM
50-100mm f/1.8 DC HSM Art 50-150mm f/2.8 APO EX DC OS HSM
Type
Zoom
Telephoto Zoom
Focal length
50-100mm
50-150mm
Max aperture
f/1.8 1⅓ stops faster
f/2.8
Length
170.7 mm
not listed
Diameter
93.5 mm
not listed
Filter thread
82 mm
77 mm
Min focus distance
0.95 m
0.8 m closer
Max magnification
0.15×
0.16× larger
Image stabilization
No
Yes stabilized
Released
2016
not listed
6 identical specs hidden: brand, mount, format, aperture blades, optical design, autofocus motor. Show all
Brand
Sigma both
Mount
Nikon F both
Format
APS-C both
Aperture blades
9 both
Optical design
21 elements / 15 groups both
Autofocus motor
HSM both

Our notes

Sigma 50-100mm f/1.8 DC HSM Art

A constant f/1.8 telephoto zoom for APS-C DSLRs that works like a fast 75-150mm prime set. It weighs a lot and takes 82mm filters.

Pros

  • Constant f/1.8 aperture
  • Sharp across the range
  • HSM autofocus
  • Replaces several primes

Cons

  • APS-C only
  • Heavy and large
  • No stabilization

Our notes

Sigma 50-150mm f/2.8 APO EX DC OS HSM

More comparisons

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