Sigma 24-105mm f/4 DG OS HSM Art vs 28-200mm f/3.8-5.6 Aspherical
Both are Sigma SA lenses. Here is what actually differs.
Pick the 24-105mm f/4 DG OS HSM Art if
- You want a wider view: 24mm vs 28mm at the wide end
Pick the 28-200mm f/3.8-5.6 Aspherical if
- You need more reach: 200mm vs 105mm at the long end
Spec differences
15 differences| 24-105mm f/4 DG OS HSM Art | 28-200mm f/3.8-5.6 Aspherical | |
|---|---|---|
| Type |
Zoom
|
Superzoom
|
| Format |
Full frame
|
not listed
|
| Focal length |
24-105mm
|
28-200mm
|
| Max aperture |
f/4
|
f/3.8
|
| Weight |
885 g
|
not listed
|
| Length |
109.4 mm
|
not listed
|
| Diameter |
88.6 mm
|
not listed
|
| Filter thread |
82 mm
|
not listed
|
| Min focus distance |
0.45 m
|
not listed
|
| Max magnification |
0.22×
|
not listed
|
| Aperture blades |
9
|
not listed
|
| Optical design |
19 elements / 14 groups
|
not listed
|
| Autofocus motor |
HSM
|
not listed
|
| Image stabilization |
Yes
|
not listed
|
| Released |
2013
|
not listed
|
2 identical specs hidden: brand, mount. Show all
- Brand
- Sigma both
- Mount
- Sigma SA both
Our notes
Sigma 24-105mm f/4 DG OS HSM Art
This 24-105mm f/4 full-frame standard zoom lens from Sigma fits Sigma SA mount cameras, from the Sigma Art line with Optical Stabilizer and Hyper Sonic Motor autofocus. The range covers everything from wide scenes to portraits, so it works as a general-purpose lens.
Our notes
Sigma 28-200mm f/3.8-5.6 Aspherical
The Sigma 28-200mm f/3.8-5.6 Aspherical is a superzoom lens covering 28-200mm at f/3.8-5.6 for Sigma SA mount cameras, with aspherical elements. The wide-to-tele range makes it a one-lens option for travel and everyday shooting.
